Harry Watkins (1825-1894) was an actor and playwright who had long, if rather mediocre, career in the American theater. Indeed, his most notable legacy was neither a performance or a play, but a series of lively diaries he kept from 1845 to 1860 that offer a window into the mid-nineteenth century entertainment business. After Watkins passed, the thirteen volumes of diaries were kept by his daughter for a number of years, but when she fell are hard times, they were given to Maud Durbin Skinner. Her husband Otis Skinner was a celebrated actor and their daughter Cornelia Otis Skinner was a popular actress and author. Maud and Otis subsequently edited and published an abridged edition of the diaries as One Man in His Time (1938).
At length the Skinner Family papers, including Watkins’ journals, were given to the Harvard Theatre Collection. In 2012, Amy E. Hughes and Naomi Stubbs initiated a project to digitize, transcribe, and publish all 1200 pages of the diaries.
The digital images of the full run of the diaries can be found here, but a more useful (and word searchable!) full digital edition and one-volume print edition should be available by the end of the next year. In the meantime, the project is running a delightful Twitter feed as Harry Watkins, offering up daily excerpts from his diary exactly 171 years after he wrote it. Some of our favorites thus far:
Passed a sleepless night in consequence of the great pain arising from my toe
— Harry Watkins (@WatkinsDiary) November 21, 2016
If my $10-a-week engagement turns out a Pay My Board one, I shall be satisfied
— Harry Watkins (@WatkinsDiary) November 25, 2016
Would have played Hans in Idiot Witness, but the audience, thinking the performance over, left the house
— Harry Watkins (@WatkinsDiary) November 28, 2016